Step 4: Continued

The section I analysed is fairly simple progressing from tonic to predominant back to dominant. The composer also used several passing tones. They are the circled notes in the melody. He also follows what we learned avoiding parallel movement of 5th and 8th as well as voice crossing. the one odd this is some of the chords. Some chords on the piece are odd and don't really fit in they are the circled ones. Although they don't make since they still fit in when played. But the oddest chord is the dark circled one because  after trying to figure it out on my own and doing research it was completely unidentifiable.